Loren Connors
As Roses Bow: Collected Airs 1992-2002
Family Vineyard 2007
01. An Air
02. Child
03. Sorrow in the House
04. St. Brigid's Air
05. Moonyean No. 3
06. Moonyean No. 7
07. O'Connor's Last Air
08. Moonyean No. 9
09. Onora's Kid
10. Moonyean No. 13
11. Frozen Star
12. O'Carolan's Air
13. Little Shoes
14. Brigid's Air
15. No Way Home
16. Air for Bobby Sands and the Hunger Strikers
17. Evangeline
18. Dance Acadia
19. A Boy's Day at the Fair
20. The Cart Ride
21. Airs No. 1
22. Airs No. 2
23. Moonyean
01-12. Airs 4-18
13. Death of Shelley
14. On Patrick Hill
15. O'Connaira's Air
16. Silent in the Soul
17. At the Playground
18. Stephen Foster's Air
19. The Kiss - A Moment at the Door
20. As Roses Bow
>> love it, buy it (Smallfish)
Traditionalist, experimentalist, outsider, bluesman, balladeer, or poet. Connors fits in everywhere precisely because he is outside of the categories we most easily think in, and because above all, he seems close to us and very human. In a sense, the most succinct way to describe this delicate and affecting record is to simply borrow a phrase from John Banville's 'The Sea', where he writes of "moments dripping away, unnoticed almost, drip by golden drip, toward the final, almost unnoticed, quietus".

3 comments:
I wish I could understand the fuss over Loren Connors, the devotion and the respect accorded to his music. To me he sounds utterly dull, very boring, unremarkable, and a kind of banal/stupid guitar tone. I listened to SAILS and it actually seemed pretty bad, but more likely, just aggressively mediocre. But LOADS of people whose taste I respect seem to genuinely love his music and hear something elusive and special in it. I usually enjoy very much your comments on the music you post, but even here, they seem kind of...mystifying. Can anybody help me hear the treasure in this man's music? I'm sorry, but it just doesn't seem to speak for itself at all. And/but: thanks for posting this! Cheers.
"mystifying"?? not sure about that.. i just never had the feeling he was showing off while playing his 'airs', you know? because guitarists usually sound a little narcissistic: "can you hear how my fingers glide through the strings"?... so yeah, i think connors genuinely communicates here.. to no audience in particular. just to anyone willing to lend an ear. it may take time to find that state of mind though.
i find this record really great. just bought, and thought i should let you know that it's cheaper to buy it directly from the family vineyard site.
again, thanks for all the wonderful music.
i love you!
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